Sad news I'm afraid but Nows The Time is taking a break as of next Monday for a few months. Fair enough, Resonance FM programmes are regularly rotated to give everyone a chance. However we are hoping (fingers crossed) we'll be back some time soon. Keep looking at the Blog for other news, concert reviews, London jazz scene info etc.
Here's the playlist for last Monday's show:
Artist - Track - Album - Label
Langston Hughes - Youth - The Voice of Langstone Hughes - Smithsonian Folkways
Mark Murphy - Stolen Moments (1st Reprise) - Love Is What Stays - Barn Barn Music
Sonny Rollins - Sonny Please - Sonny Please - Doxy
Joshua Redman - Mantra #5 - Back East - Nonesuch
Basquait Strings with Seb Roachford - How do birds hear music - Basquait Strings with Seb Roachford - F-IRE
Trilok Gurtu & Arke String Quartet - Bermansah - Arkeology - Promo Music
Rob Eddy's Gift Horse - O'Brasil - A Hundred Jumping Horses - Reddy Music
Robert Fonseca - Zamazomazu - Zamazu - Enja
Billy Cobham - Bandits - Total Eclipse - Atlantic
Fay Victor Ensemble - Cartwheels Through The Cosmos - Green Avenue Music
Rudresh Mahanthappa - The Decider - Codebook - Pi Records
Led Bib - Manifesto For The Future - Sizewell Tea - Babel Label
T.K. Blue - Dance Of The Nile - Eyes Of The Elders - Arkadia Jazz
Jayne Cortez - I Got The Blues - Find Your Own Voice - Bola Press
Randy Weston & David Murray - The Healers - The Healers - Black Saint
Edsel Gomez - NYC Taxi Ride - Cubist Music - Zoho Music
End
Thursday, March 08, 2007
Tuesday, February 20, 2007
Track listings - Monday 19th Feburary 2007
Ola,
Kevin was out of action yesterday so I stepped into the breach and presented the show. I revisited some of the real stonking tunes that we've played on the show throughout 2006 and for this weeks theme I picked flowers - I had lined up a few different tunes on this theme but I decided to play as much of one particualar piece which was choice bit of vinyl I picked up some years back and I don't really get often enough, it was the Andrew Hill Trio (Hill is pictured above) and their composition Misty Flower from the album Strange Serenade. It's a slow build of a piece but after the total 15 minutes have elapsed it gets you right at your core, a wonderful piece of music.
Here is the rest of the tracks:
* Young Blood Brass Band – Camouflage – from the album Centre:Level:Roar – on Ozone records – released in 2003
"6 horns, 2 drummers, a sousaphonist, and an MC," the group was founded in 1995 when these young men were high school students in Wisconsin. The sousaphone is that beautifull rotund tuba like instrument common in marching bands.
* Acoustic Ladyland – Marching Dice – from their album 2004 album Camouflage – on the ever great Babel Label
Acoustic Ladyland are a London based jazz band consisting of Tom Herbert on double bass, Pete Wareham on tenor and baritone saxophone, Seb Rochford on drums and Tom Cawley on Piano. Of course Acoustic Ladyland is another great band that came out of east London’s finest contemporary jazz scene, The F-IRE Collective.
* Christian McBride – Mwandishi Outcome Jam – from his album ‘Live at Tonic’ released last year on Rope A Dope.
A homage to the seminal funk Jazz fusion album Mwandishi by Herbie Hancock recorded in 1970.
* Sex Mob – Pygmey Suite – from their album Sexotica released on the Thirsty Ear
Steven Bernstein's Sex Mob are less obsessive than their name implies. They're the house band for the Leonard Cohen tribute project, which features Rufus Wainwright and Nick Cave.
* The Bad Plus – Flim – reworking of a beautiful Aphex Twin tune – taken from their break-through album – These Are The Vistas – released on Columbia Records in 2003 - jazz trio consisting of pianist Ethan Iverson, bassist Reid Anderson, and drummer Dave King.
* Avishai Cohen – Smash – from his album Continuo released on Sunny Side records in 2005 - Avishai Cohen (upright bass, bass guitar); Amos Hoffman (oud); Sam Barsh (piano); Mark Guiliana (drums, percussion).
I was wondering what the title meant and I think it refers to this - "Basso continuo parts, almost universal in the Baroque era (1600-1750), were, as the name implies, played continuously throughout a piece, providing the harmonic structure of the music."
* Der Rote Bereich – Da Da Dapp – from their Act label release ‘Risky Business’ put out in 2002. Rudi Mahall - bass clarinet / Frank Möbus - guitar / Oliver Steidle – drums
* Julien Lourou – A Stitch In Time – from Fire on the Label Bleu label. Bojan Z plays the keyboards, Eric Lohrer on the guitar, Daniel Garcia Bruno the drums, Vincent Artaud the bass. Voice on that was by John Greaves, former Henry Cow member – basist and composer.
Theme Flowers
* Andrew Hill Trio - Misty Flower - from the album Strange Serenade on Soul Note records.
FIN
Tuesday, February 06, 2007
Nows The Time present Cleveland Watkiss Live
Nows The Time is more then a radio show, we also host the best London's contemporary jazz and improvised music as part of a monthly gig at The Vortex Jazz Bar here in London.
Below is a live performance by Cleveland Watkiss, enjoy!
To subscribe to Nows The Time live as a podcast go to our Twango page - Click Here - and scroll down to the end you'll see a nice big "Podcast" button in a feisty orange, click on it and it will automatically open iTunes and load a subscription!
Below is a live performance by Cleveland Watkiss, enjoy!
To subscribe to Nows The Time live as a podcast go to our Twango page - Click Here - and scroll down to the end you'll see a nice big "Podcast" button in a feisty orange, click on it and it will automatically open iTunes and load a subscription!
Monday, January 22, 2007
Gig Review - Uri Caine at the Vortex 18th Jan 07'
I hope Uri will forgive me this analogy, but on Kingsland Road a stones throw from the Vortex there is a Chinese restaurant called Shanghai. Chinese restaurants abound in London but this place serves the best Dim Sum I have ever tasted, the steamed pastry filled pockets of delight present themselves like actual sea creatures, delicate, huddled together in the steaming basket, resting on a film of rice paper - the taste buds squirt in quasi-erotic excitement - well that's how my ears felt waiting for the great Uri Caine's hands to touch those keys on Friday night.
Caine did not disappoint, every note had flavour, texture, colour, wit and grace - a master chef of the keyboard is Uri. Eclectic is a word much maligned in any discussion of contemporary jazz but Uri Caine's mind is a musical map of a world that incorporates Fats Waller, Ellington and Gustav Mahler in an interchangeable topography.
Caine’s interpretation of Monk's ‘Round Midnight’ was one of the best renditions either I or Kevin had heard to date - incorporating a Don Pullen-esque series of punctuated rhythms developing into rich harmonic and melodic rendition of this classic theme that would have pleased Thelonius himself.
From standards like Honey Suckle Rose to Mahler's 3rd Symphony the stops on this particular journey where both emotionally fulfilling and testing in the best sense. The venue was packed and the atmosphere was sparkling. After the gig I got the great man to add to my pension fund in the form of his signature on a prized copy of ‘Shelf-Life’ and he seemed to have enjoyed the performance almost, but not completely I’m sure, as much as the audience did.
A joy
Caine did not disappoint, every note had flavour, texture, colour, wit and grace - a master chef of the keyboard is Uri. Eclectic is a word much maligned in any discussion of contemporary jazz but Uri Caine's mind is a musical map of a world that incorporates Fats Waller, Ellington and Gustav Mahler in an interchangeable topography.
Caine’s interpretation of Monk's ‘Round Midnight’ was one of the best renditions either I or Kevin had heard to date - incorporating a Don Pullen-esque series of punctuated rhythms developing into rich harmonic and melodic rendition of this classic theme that would have pleased Thelonius himself.
From standards like Honey Suckle Rose to Mahler's 3rd Symphony the stops on this particular journey where both emotionally fulfilling and testing in the best sense. The venue was packed and the atmosphere was sparkling. After the gig I got the great man to add to my pension fund in the form of his signature on a prized copy of ‘Shelf-Life’ and he seemed to have enjoyed the performance almost, but not completely I’m sure, as much as the audience did.
A joy
Tuesday, January 16, 2007
Monday Jan 15th Track Listings
This week Kevin was away in warmer climes so I was in the hot seat. In keeping with the midwinter subdued mood in London I kept half the show pretty mellow. Passing through Brussels last week I was able to pick up some classic Belgian recordings. I found two excellent sessions on the Carbon 7 label based in Brussels - firstly an excellent mid 90's album by Erwin Vann titled Eleven and a reissue of the legendary Belgian trio AKA Moon titled Rebirth. The bass player Michel Hatzigeorgiou turns up on both recording. I did'nt have time this week to feature the AKA Moon record but we'll squeeze it in soon. I played a wonderous Erwin Vann track called Djana - Vann's saxophone sketches out a very simple bitter/sweet melody to the sound of a childs gurgles, I love the track but my girlfriend Ruth who was in studio thought it creepy, there you go music is a subjective thing.
Uri Caine is performing on Thursday 18th and Friday 19th of Jan at the Vortex which is surely gig of the year and we are not even mid way through January! I played a stonking funked up sizzler of a tune from Uri Caine's album 'Shelf Life' recorded on the Winter & Winter label the track was titled 'Steakjacket Prelude'.
The theme of this week's show in homage to Uri's pending solo piano performances was solo piano and coincidentally I was sent through the stunning Irene Schweizer CD 'First Choice - Piano Solo KKL Luzern' which is on the ever excellent Intakt Label. This is a stonking recording with Schweizer show-casing her impressive abilities as a musician and improvisor - in an acoustic that is achingly perfect. Intakt have made a stupendous recording, the quality of which is comparable to ECM at it's best. I can't recommend the record more. I admit I was not fully aware of Irene Schweizers brilliance so this record has put me back on track.
I ended on a stunning track by the Dublin tentet The Fuzzy Logic Ensemble , I played a track called Happy New Year which is striking in it's melodic complexity and bodes really well for this Ensemble output and the state of Jazz in my home town Dublin.
I also gave away a pair of tickets to see Abram Wilson perform from his new release on Dune Records. The winner was Lucas, and we got loads of calls, the answer was Louisianna, so figure out the question!
Here's the full listings of this weeks show:
* Prayer Meeting – Langston Hughes – Smithsonian Folkways
* Djana – by Erwin Vann – from his album Eleven recorded in 1995 Carbon 7 label in Brussels - ft. Michel Hatzigeorgiou (he of that other legendary Brussels trio AKA Moon) on bass and Dre Pllemaerts on Drums.
* Perenne – by David Binny – taken from the album Balance – released on the ACT label – featuring Uri Caine on piano, Wayne Krantz on guitar, Tim Lefebvre on Bass and Jim Black on drums.
* I Want More For Me Than This – by Abram Wilson – from his forthcoming if slightly delayed album ‘Ride! Ferris Wheel To The Modern Day Delta’ on Dune Records – ft Abram on vocals and trumpet, Neil Charles on Bass, Ben Burrell on piano and Shaney Forbes on drums to name a few.
* He Still Carries A Torch For Her – by The Nels Cline Singers – from the album 'The Giant Pin' on Cryptogramaphone – the trio includes - Devin Hoff on Contrabass, Scott Amendola on Drums and of course Nels Cline on guitar and all manner of effects.
* Oddfelt - by Jim Black with the AllasNoAxis Qaurtet – ft Chris Speed on Tenor Sax, Hilmar Jenson on Guitars, Skuli Sverrisson on Basses and Jim Black on Drums – track is taken from the album Dogs Of Great Indifference on the Winter & Winter label aus Munchen in Germany.
* Gbede Temin – by the group Gilfema – who are Lionel Loueke on guitar and vocals / Massimo Biolcati on Bass and Ferenc Nemeth on Drums – this track is taken from the eponymous album released on Oblique Sound.
* Dispatches - by Thomas Stronen - from his album 'Pohlitz' on the Rune Grammafon label.
* Out To Lunch – Eric Dolphy’s signature composition - performed by the Daniel Levin Quartet – taken from his Hatology Release ‘Some Trees’ – featuring the dynamic bass of Joe Morris, Matt Moran on Vibes, Daniel Levin on Cello and Nate Wooley on Trumpet. First release ‘Don’t Go It Alone’ was released in 2004 on Joe Morris’s imprint Riti Records.
* Rentals – Mike Ladd & Vijay Iyer – this track is taken from their album ‘In What Language?’ released on PI Recordings – voice is Ajay Naidu – the project was inspired by the story of the Iranian Film maker Jafar Panahi – pre 9/11 - while in transit from Hong Kong to Bueno Aires – passing through JFK he was held by immigration, shackled – kept in a cell for seven hours and deported back to Hong Kong – Panahi wrote an account of his ordeal, a plea to his fellow passengers that he was not a thief but could not at first figure out what language he should proclaim his innocence in, hence the title of the album.
* Steakjacket Prelude – by Uri Caine from his Bedrock project album ‘Shelf Life’ released in 2005 on the Winter & Winter label - featuring the dangerously funky back line of Zach Danziger on drums, Tim Lefebvre on bass & guitar along with a massive line up including most interestingly the electronic wizadry of nnnj, DJ Olive and Luke Vibert.
Theme - Solo Piano
* Jungle Beats II – by Irene Schweizer – taken from her recently released album ‘First Choice – Piano Solo KKL Luzern’ a recording made at the Culture & Congress Centre Luzern – the tune I chose is a homage to the late Don Cherry. Schweizer is famous for her solo performances throughout her long career - but this concert was a bit special – playing as she was within the hallowed walls of the Luzern Concert Hall.
* Solobsession - by Bojan ZULFI / KARPAS – EECH or Bojan Z as he’s more tidily refered to on occasion – track is the title song from his solo piano recording for Label Bleu in 2000.
* Happy New Year – by The Fuzzy Logic Ensemble – this ten piece Dublin outfit are lead by arranger and hammon organist Dylan Rynhardt - too many musicians to (check out their website!)name but the rather haunting voice is provided Sue Brady – you can check them out and download this tune for free. Along with The Crash Ensemble, The Kai Big Band and Zoid there’s a real buzz about jazz in Dublin at the moment. I plan to feature more Irish jazz on the show soon.
FIN
Uri Caine is performing on Thursday 18th and Friday 19th of Jan at the Vortex which is surely gig of the year and we are not even mid way through January! I played a stonking funked up sizzler of a tune from Uri Caine's album 'Shelf Life' recorded on the Winter & Winter label the track was titled 'Steakjacket Prelude'.
The theme of this week's show in homage to Uri's pending solo piano performances was solo piano and coincidentally I was sent through the stunning Irene Schweizer CD 'First Choice - Piano Solo KKL Luzern' which is on the ever excellent Intakt Label. This is a stonking recording with Schweizer show-casing her impressive abilities as a musician and improvisor - in an acoustic that is achingly perfect. Intakt have made a stupendous recording, the quality of which is comparable to ECM at it's best. I can't recommend the record more. I admit I was not fully aware of Irene Schweizers brilliance so this record has put me back on track.
I ended on a stunning track by the Dublin tentet The Fuzzy Logic Ensemble , I played a track called Happy New Year which is striking in it's melodic complexity and bodes really well for this Ensemble output and the state of Jazz in my home town Dublin.
I also gave away a pair of tickets to see Abram Wilson perform from his new release on Dune Records. The winner was Lucas, and we got loads of calls, the answer was Louisianna, so figure out the question!
Here's the full listings of this weeks show:
* Prayer Meeting – Langston Hughes – Smithsonian Folkways
* Djana – by Erwin Vann – from his album Eleven recorded in 1995 Carbon 7 label in Brussels - ft. Michel Hatzigeorgiou (he of that other legendary Brussels trio AKA Moon) on bass and Dre Pllemaerts on Drums.
* Perenne – by David Binny – taken from the album Balance – released on the ACT label – featuring Uri Caine on piano, Wayne Krantz on guitar, Tim Lefebvre on Bass and Jim Black on drums.
* I Want More For Me Than This – by Abram Wilson – from his forthcoming if slightly delayed album ‘Ride! Ferris Wheel To The Modern Day Delta’ on Dune Records – ft Abram on vocals and trumpet, Neil Charles on Bass, Ben Burrell on piano and Shaney Forbes on drums to name a few.
* He Still Carries A Torch For Her – by The Nels Cline Singers – from the album 'The Giant Pin' on Cryptogramaphone – the trio includes - Devin Hoff on Contrabass, Scott Amendola on Drums and of course Nels Cline on guitar and all manner of effects.
* Oddfelt - by Jim Black with the AllasNoAxis Qaurtet – ft Chris Speed on Tenor Sax, Hilmar Jenson on Guitars, Skuli Sverrisson on Basses and Jim Black on Drums – track is taken from the album Dogs Of Great Indifference on the Winter & Winter label aus Munchen in Germany.
* Gbede Temin – by the group Gilfema – who are Lionel Loueke on guitar and vocals / Massimo Biolcati on Bass and Ferenc Nemeth on Drums – this track is taken from the eponymous album released on Oblique Sound.
* Dispatches - by Thomas Stronen - from his album 'Pohlitz' on the Rune Grammafon label.
* Out To Lunch – Eric Dolphy’s signature composition - performed by the Daniel Levin Quartet – taken from his Hatology Release ‘Some Trees’ – featuring the dynamic bass of Joe Morris, Matt Moran on Vibes, Daniel Levin on Cello and Nate Wooley on Trumpet. First release ‘Don’t Go It Alone’ was released in 2004 on Joe Morris’s imprint Riti Records.
* Rentals – Mike Ladd & Vijay Iyer – this track is taken from their album ‘In What Language?’ released on PI Recordings – voice is Ajay Naidu – the project was inspired by the story of the Iranian Film maker Jafar Panahi – pre 9/11 - while in transit from Hong Kong to Bueno Aires – passing through JFK he was held by immigration, shackled – kept in a cell for seven hours and deported back to Hong Kong – Panahi wrote an account of his ordeal, a plea to his fellow passengers that he was not a thief but could not at first figure out what language he should proclaim his innocence in, hence the title of the album.
* Steakjacket Prelude – by Uri Caine from his Bedrock project album ‘Shelf Life’ released in 2005 on the Winter & Winter label - featuring the dangerously funky back line of Zach Danziger on drums, Tim Lefebvre on bass & guitar along with a massive line up including most interestingly the electronic wizadry of nnnj, DJ Olive and Luke Vibert.
Theme - Solo Piano
* Jungle Beats II – by Irene Schweizer – taken from her recently released album ‘First Choice – Piano Solo KKL Luzern’ a recording made at the Culture & Congress Centre Luzern – the tune I chose is a homage to the late Don Cherry. Schweizer is famous for her solo performances throughout her long career - but this concert was a bit special – playing as she was within the hallowed walls of the Luzern Concert Hall.
* Solobsession - by Bojan ZULFI / KARPAS – EECH or Bojan Z as he’s more tidily refered to on occasion – track is the title song from his solo piano recording for Label Bleu in 2000.
* Happy New Year – by The Fuzzy Logic Ensemble – this ten piece Dublin outfit are lead by arranger and hammon organist Dylan Rynhardt - too many musicians to (check out their website!)name but the rather haunting voice is provided Sue Brady – you can check them out and download this tune for free. Along with The Crash Ensemble, The Kai Big Band and Zoid there’s a real buzz about jazz in Dublin at the moment. I plan to feature more Irish jazz on the show soon.
FIN
Labels:
AKA Moon,
Carbon 7,
Erwin Vann,
The Fuzzy Logic Ensemble,
Uri Caine
Friday, January 12, 2007
Welcome to 2007
Hope all our listeners have got 2007 off to a good start.
Kevin has scooted off to the Carribean for several days and I was in Holland and Brussels so we have not hooked up for a while - hence last Monday's playlist is drifting in the ether - but I'll post it as soon as I find it!
I'll be in the hot seat this coming Monday 15th presenting our weekly Nows The Time on Resonance FM. I'm putting the playlist together as I write, listening to the Daniel Levin Quartet release Some Trees - on Hatology 2006. It's an album that passed me by but I picked up a bargain basement copy over Christmas and I've been playing it constantly since. To be honest I was as interested in Joe Morris featuring on the recording and particularly as he's playing upright bass - Morris is a looming figure in my musical journey through life and his move from one of the great guitar improvisors to playing bass on a host of excellent recordings means I rarely pass up a disc with his name on! Levin is a gifted cellist, composer and improvisor - I'll talk more about the record on Monday's show but for no other reason then to hear a wonderous version of Eric Dolphy's 'Out To Lunch' this record is worth picking up.
Myself and Kevin are really keen to up the listener involvement in the show this year, we are straining at the bit to hear your recommendations and reactions to the artists we feature on the radio show - email us or post a comment on the blog, but let us know your ideas and reactions, Nows The Time as we say!
Kevin has scooted off to the Carribean for several days and I was in Holland and Brussels so we have not hooked up for a while - hence last Monday's playlist is drifting in the ether - but I'll post it as soon as I find it!
I'll be in the hot seat this coming Monday 15th presenting our weekly Nows The Time on Resonance FM. I'm putting the playlist together as I write, listening to the Daniel Levin Quartet release Some Trees - on Hatology 2006. It's an album that passed me by but I picked up a bargain basement copy over Christmas and I've been playing it constantly since. To be honest I was as interested in Joe Morris featuring on the recording and particularly as he's playing upright bass - Morris is a looming figure in my musical journey through life and his move from one of the great guitar improvisors to playing bass on a host of excellent recordings means I rarely pass up a disc with his name on! Levin is a gifted cellist, composer and improvisor - I'll talk more about the record on Monday's show but for no other reason then to hear a wonderous version of Eric Dolphy's 'Out To Lunch' this record is worth picking up.
Myself and Kevin are really keen to up the listener involvement in the show this year, we are straining at the bit to hear your recommendations and reactions to the artists we feature on the radio show - email us or post a comment on the blog, but let us know your ideas and reactions, Nows The Time as we say!
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